I work with visual storytelling as a world builder at heart. My background in philosophy has shaped a deep understanding of narrative, and my years in film, TV and commercial production have taught me how to bring those narratives to life — with creativity, structure and realism in equal measure.
I approach production design as the craft of constructing believable, functional worlds: environments that feel lived-in, logical, and expressive of the story’s emotional core. Whether I’m designing a fictional classroom, sourcing a 1990s stereo, or planning the visual identity of an entire set, my focus is always to make the visual space mean something.
My style leans toward the realistic and purposeful; I aim for visuals that support the story without overpowering it. I’m drawn to textures and spaces that feel intuitive, cohesive and quietly powerful. And while I enjoy a clean aesthetic, I always prioritize depth and credibility over surface style.
Realism doesn't limit artistic expression; on the contrary, it often allows me to break expectation in grounded and surprising ways.
I believe the best visual environments arise through dialogue – with the director, the cinematographer, and the characters themselves. I’m as comfortable leading a team as I am supporting one, and I pride myself on being calm, communicative and clear-headed, even when time is short.
Realism doesn't limit artistic expression; on the contrary, it often allows me to break expectation in grounded and surprising ways.
I believe the best visual environments arise through dialogue – with the director, the cinematographer, and the characters themselves. I’m as comfortable leading a team as I am supporting one, and I pride myself on being calm, communicative and clear-headed, even when time is short.
In every project, I bring a hybrid mindset: creative and practical, reflective and hands-on. I design with intention – and always with the story in mind.
Job Positions:
Art Director
Assistant Art Director
Production Designer
Assistant Production designer
Set-dresser
Propsmaster
Props (Also On-set)
and buyer, graphics and everything else Art Department related...
PROFESSIONAL SKILLS
Adobe Creative Suite (Graphics) - Photoshop, InDesign, Illustrator
AutoCAD - 3D Models, concepts and prototypes
Blender - 3D Models
Design - Through creative dialogue or my own hand, I do previs design as well as on-the-spot setups.
General Software use - Office, Google, Dropbox, Midjourney, ChatGPT and more... ("If I don't know it, I will learn it by tonight.")
General Software use - Office, Google, Dropbox, Midjourney, ChatGPT and more... ("If I don't know it, I will learn it by tonight.")
Research and Item acquisition - Information, Props and Pictures
SketchUp - Sketching and Modelling
Sketching (Hand) - Quick sketches, Brainstorming etc.
PERSONAL SKILLS
Diplomacy and Leadership - A skill often neglected in the artistic world, which puts me slightly ahead of my colleagues with increased focus on efficiency at the workplace, good communication and a comfortable work environment.
Budgeting and Planning - Keeping any interested parties up to date, I take notes, measure and budget actively throughout the work-process if necessary.
Creative and realistic - In work and conceptualisation, I am very good at communicating what is possible; what might be lost and what might be gained.
Keeping it cool even in the most stressfull situation - Sometimes we have to hurry, but there is no use in running into walls (or each other).
Positive mindset - We will always find a solution.
... and a plethora of practical skills such as: Driving old, new, large and small vehicles, using various tools (I have my own for rent), painting, using electronic and motorised special equipment, making deals etc.
Latest projects...
Her Private Hell (byNWR Originals, Fiction) - Props
Klovn TV-spot (TV2, Commercial) - Scenography/Props
3Shape, B2B Campaign - Scenography
'Girl Gone Missing' [Working title] (GODT Media ApS for Netflix, Dramadocumentary - Set-dresser, Props and On-set Props
Natasja (GODT Media ApS for TV2, Dramadocumentary) - Art Director
Kidnapping [Otmica] (Hyæne Film for Pelicula Movies (Serbia), TV-drama) - Assistant Production Designer and local Set-dresser, Props (Denmark)
Spionerne (Koncern TV, Docudrama) - Set-dresser, Props and Costumes
Jeg Tror Jeg Elsker Dig ['I think I love you'] (UNIFY Films Aps, Fiction) - Production Design
Wilder Humber Restoring Coastal Ecosystems (Ørsted, Commercial) - Scenography
If War Comes To You (Laban Stories, Internationalt Røde Kors) - Scenography
3Byggetilbud (VINIA Media, Reklame) - Scenography
Hjertegalla (Warner Brothers / TV2Charlie, Live indsamlings-show) - Props
Any many, many more....
